Whenever you’re diving into world creation, it’s important to keep in mind what kind of trash you’re also likely diving into. While you can easily see today’s trash, particularly what’s in your own area, it can be hard to imagine new landscapes of garbage. So that’s what we’re going to overview today: How to forecast your trash, where to find information about the trash of the past, and why it’s so important to get it right.
While I’m not likely going to get you excited about more editing, I hope to give you a better idea of what to expect from a sensitivity read, how to find the right readers, and why you should think about it like you do your editing: a sensitivity read gives you the opportunity to achieve additional accuracy. If you want a triple-A approach, that’s the one.
At some point in your writing career, you will ask yourself the question, “Should I say that?” Whether it’s how you’re characterizing a person or the image you’re trying to strike for a company, you’ll wonder if it’s a good idea to publish the potentially offensive material. After all, you are responsible for what you publish. If you’re putting out something unflattering, you open yourself up for libel. But not everything we write needs to be flattering, does it? Sometimes you want to showcase the negatives! Sometimes you want to showcase the negatives! So what can you do to prevent libel in your writing?
Ah, yes. Your favourite newspaper has a typo in its headline or you’ve found desert when dessert was meant. It happens! And, obviously, it happens to established authors and at established publishing houses. But… how?
Every writer worth their salt works on their craft. Whether you’re reading competitors or doing grammar exercises, that writer brain of yours is learning. There’s a lot to learn, though, especially when you’re trying to match a specific style guide in your writing. Cheat sheet would be too generous of a name, but this article outlines the top 10 things you should know when using the Chicago Manual of Style.
In publishing, when your book gets presented to the editorial team as a real candidate for selling, your story will be reduced to a single page of to-the-point information known as the title information sheet. This piece of paper is the marketing pitch for your book, and contains important printing details the publisher will need to know for pricing reasons (among other things). So what goes into a title information sheet?
Style guides are used by publishing companies to help them define the rules of language they’ll follow for their publications. While authors may not need intimate knowledge of one, understanding the purpose of each and maybe even learning a couple of rules to improve consistency in your writing is a great idea. Figuring out what style guide to use is pretty simple, and we’ll overview what factors you should consider in this article.
An under-used tool amongst writers, the style sheet is the go-to reference for editors. Why? Simply put: A style sheet helps you maintain consistency, keep track of important dates and characters, and even reminds you whether you preferred the Oxford comma or not (you heathen).
The goal of any editor is to bring out the strongest version of the text in front of us, no matter what stage it’s at. We are ever-so-careful of the suggestions and comments we make as we strive for better understanding of the material and its design. You have a goal in mind for this work and we’re the intermediary who helps you reach your target audience the most effectively.